I want a childhood love.
I want the shyness and the unobstructed affection given by one eight
year old to another.
At lunch time we sit at opposite ends of the lunch
room. I watch you and your friends speak
earnestly about dolls, like adults standing around the water cooler giving
stock advice. Malibu Barbie doesn’t come with the car. You have to get it separately. They even said in the commercial. I watch your hair drop over you face as
you and your friends all pull out your Tamagochis and coo and purr and care for
your electronic pets. Oh no!
Mine is hungry! Here, let me feed
you. I sip my juice box and eat my
rye and cheese sandwich.
We meet in the playground after lunch as we wait our turn
for the tire swing. I watch you, in your
pink corduroy floral print pants, fidget and kick crushed stones. I pretend I didn’t ever want to go on the
swing and saunter off toward the hopscotch court so that I could watch you
smile, watch your long dark hair streak past me. I ask if you’d like an Around-the-World. You give me a quizzical look so I say Here let me show you and I take hold of
the tire and start running as fast as I can around its perimeter. I tug you towards me, faster, turn faster,
swing you round and round, my arm getting tired, my legs stumbling over the
loose stones, you yell Stop it’s not
funny! But the y in funny turns to a
shriek of delight and you stand up on the tire and grip the rusted chains that
hold the tire to the swing’s frame. You
will be a gymnast or an acrobat or a stuntwoman some day.
At recess we play Red
Rover. You are lined up on the other
side, with all of the cool kids. I am
lined up on my side. I am at the end of
the line. I am holding the hand of the
class clown. His hand is always moist
and clammy, ideal for making armpit farts.
He makes the best armpit farts; I begrudge him his armpit farts. Red
rover, red rover, we yell, and we call your friend Lizzy over. Lizzy has red hair and translucent skin and
freckles on her nose. She also suffers
from really bad breath. She likes to
talk to me while repeatedly removing and replacing her yellow retainer, a
retainer for which we’ve had to scour the rubbish bin, which probably explains
the bad breath. Lizzy runs towards us,
towards me and the class clown and jumps at our clasped hands. Our moistened grip does not hold and Lizzy
breaks through. The class clown glares
at me with accusation. Then we call your
name. You giggle and I see your eyes
focus on the spot between me and the class clown, but they drift to me for a
moment. You set off; pigtails thrash
from your girlish glee, your arms flail and you are laughing, shrieking like
that time on the tire swing. I feel your
wind before you hit. I hold the clown’s
slippery palm so tightly he cries out in pain and I can feel his brittle
metacarpals grinding against each other.
I brace myself and you launch your gymnast body between us – gently, so
gently. I feel your hand grip my arm
through my thick woolen sweater and I wish I were not wearing a sweater, not
wearing any clothes. You smile. Your
braces glimmer in the early afternoon sun.
You take your place beside me, on the open end. I am no longer at the end and I send
gratitude through my fingers, through your fingers and you know that I am
thankful.
Your hand is so cool and dry. I wish I could hold it forever.
--
Alex is a Creative Writing MFA student at Antioch Universtiy Los Angeles and a Canadian expat living in San Francisco. He writes nonfiction, fiction, and poetry. He sometimes shares his musings and meanderings on his blog.
It's so easy to forget, as an adult, how our feelings of love are the same feelings that made us silly and confused and delighted as children. I love that you speak of all this innocent joy from an adult's perspective. Makes it poignant and interesting, as I imagine the adult imagining the child.
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